Colonialist Criticism By Chinua Achebe PDF [PATCHED]

Colonialist Criticism By Chinua Achebe PDF

The essay “Colonialist Criticism” is an attack on ingrained colonialism in the critique of African literature by non-Africans. An example of such a connection is the book of the author of the article “On Negro Poetry”, written on the poetry of Un-Ku-Thi-Tgy (1878).
It is possible that this is not a question of “criticism” as such, but as such of colonial policy in this case. In literary circles, this state of knowledge is called “puppetry” (collaboration with a colonial power), this understanding that everything said by colonialism about a person results in what today we can generically call the “conservative press” (conservative press) i.e. equating colonialism and the culture of the oppressed with the traditional values ​​of the culture of the oppressors. In this approach, critics, compared with traditional writers who embrace colonialist values, are seen as “progressive” but generally with low self-esteem.
The core of these views is exhausted, perhaps, by the data found in the pamphlet book “African Consciousness” (African Consciousness, 1924), in which we combine many of the characteristics that later became such for the humanitarian values ​​of the New and Contemporary times, such as idealism, humanism, the antithesis of Enlightenment and democracy, technological development, materialism and profit maximization.
This kind of aesthetic was inspired by Negri-Nana Ella Reid, whose early work reflects the cultural and political attitude towards anarchy. However, this aesthetic, like that of Eisenstein, seems to be a departure from orthodox colonialism: it was directed towards neoclassicalism (power of the means, regulation, neo-capitalism), with a touch of relativism.
The style of Ella Reid and Negri: their texts, ideas, images-symbols – all these are signs of the experimental, empirical consciousness of the New and New World. Negri and Ella talked about how “the world to come or the other world does not have to match our world” (Niger Novel)
Today, probably, there is no such person who in Latin America would not know the name of Nami, while in Europe, even in the so-called “third world”, his part

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